Smear out the colour of your A plate to create better edges.

I was overall production VFX Supervisor on Tom Clancy’s Jack Ryan: Ghost War, with BlueBolt as the principal VFX studio.

For A Thousand Blows Season 2, BlueBolt delivered 107 VFX shots set in 1880s East End London and period-era New York, alongside a large-scale explosion sequence.

I was delighted to be nominated for “Excellence in VFX” at the Broadcast Tech Awards, alongside the talented team at BlueBolt.

BlueBolt created 250 shots for this Netflix movie, directed by Chris Columbus.